The critically acclaimed “Clownzilla:
A Love Story” is coming to Solvang Festival Theater, June 16 for Family Day at
the Theater.
Created and directed by Eli
Simon of the
Removing dialogue from the
show has opened a world of physical possibilities as verbal interaction takes a
back seat to physical expression.
“The audience has been
going crazy for this show and one of the things that I’ve heard they love about
it is that the clowns are so physically expressive and emotionally engaged in
the story of the show,” Simon said. “Clowning is very fundamental and basic and
you can relate to it a lot more immediately than spoken words.”
Despite the show being accessible
to all ages and written for no audience in particular, children have found an
immediate connection to the performance because, “Kids understand action and
are sometimes lost in dialogue,” Simon said.
Solvang Theaterfest
Executive Director Diane Devine said in a written release to the press, “This
will be a great way for children and their families to kick off the summer and
have a good belly laugh together.”
Always looking to improve
the show, Simon said the cast is continually experimenting with new ideas at
rehearsals.
“Everything is rehearsed improvisationally, so in this way, anybody that has an idea
is given a fair shot. And we decide by unanimous decision what stays and what
goes,” he said. “That shapes the show a lot, what kind of laughs you get, what
kinds of reactions there are. And that informs the group on what works and what
direction to take it.”
The Festival Theater will
be both the largest venue and the first daytime venue that the troupe has
performed in. The challenges the crew will face include isolating clowns during
focused comedic or dramatic moments. But Simon is confident the show will go
well. “They’re gonna have to play large out there.
But they’re very comfortable with performing this,” he said. “We’ve found that
the clowns work wherever we are.”
For those averse to the
clown aesthetic, Simon stressed that these clowns are not pranksters or scary
clowns and that the style of clowning he developed seeks to emphasize the
physicality of silent acting, not the cheap laughs of questionable material.
“All we ask is that people
give it a try because this is really quite different. It’s worth giving it a
shot,” Simon said.
The day begins at